What is the number one box office movie in 2008?

What is the number one box office movie in 2008?

The Dark Knight
Domestic Box Office For 2008

Rank Release Theaters
1 The Dark Knight 4,366
2 Iron Man 4,154
3 Indiana Jones and the Kingdom of the Crystal Skull 4,264
4 Hancock 3,965

What was the top grossing film in 2006?

Pirates of the Caribbean: Dead Man’s Chest
Domestic Box Office For 2006

Rank Release Total Gross
1 Pirates of the Caribbean: Dead Man’s Chest $423,315,812
2 Cars $244,082,982
3 X-Men: The Last Stand $234,362,462
4 The Da Vinci Code $217,536,138

What was the number one box office movie in 2007?

Pirates of the Caribbean: At World’s End
Top 2007 Movies at the Worldwide Box Office

Rank Movie Worldwide Box Office
1 Pirates of the Caribbean: At World’s End $960,996,492
2 Harry Potter and the Order of the Phoenix $940,043,931
3 Spider-Man 3 $894,860,230
4 Shrek the Third $807,330,936

What was the number one movie at the box office in 2006?

This is a list of films which have placed number one at the weekend box office in the United States during 2006. When a Stranger Calls broke Boogeyman ‘ s record ($19.0 million) for the highest Super Bowl weekend debut.

When did the 2004 box office year end?

For example, the “2004 box office year” ended on Sunday, January 2, 2005. Inflation-adjusted figures are based on ticket sale estimates. See Top 2006 Movies at the Domestic Box Office for the total domestic box office for the top 100 movies released in 2006, and Movie Index 2006 for an overview of all movies released in 2006.

What were the top 100 Movies released in 2006?

See Top 2006 Movies at the Domestic Box Office for the total domestic box office for the top 100 movies released in 2006, and Movie Index 2006 for an overview of all movies released in 2006. Pirates of the Caribbean: D… Talladega Nights: The Balla… The Santa Clause 3: The Esc… The Chronicles of Narnia: T…

Are box office earnings the best measure of a film’s success?

However, theatrical box office earnings are the primary metric for trade publications in assessing the success of a film, mostly because of the availability of the data compared to sales figures for home video and broadcast rights, but also because of historical practice.

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